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文/張士達
在吸血鬼與恐怖片都早已被拍爛的陳腔濫調中,要為僵化類型重賦新生真的是很不容易的事。《血色入侵》卻巧妙地顛覆了觀眾對所有既定元素的期待,在那冰雪遍布又緯度偏高的瑞典背景裡,晝與夜、天與地的界線變得模糊,人與鬼、男與女的分別也不再絕對,而耐人尋味無法歸類的複雜人性卻也由此而生。
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